Ahead of the UK premiere of his latest film HOUSEWIFE at the Horror Channel Frightfest Halloween event, director Can Evrenol tells us why film is a “pervert’s art”, shares his feelings for Fulci and reveals his contribution to Horror Anthology The Field Guide To Evil.

Was it important to make your follow-up film to BASKIN in the English language?

CAN: I wanted to make the film available for a wider audience and to test myself with a different language movie. I thought it was a fun thing to do.

How do you describe HOUSEWIFE? What would be your perfect pitch line?

CAN: Man, I had this crazy fu*ked-up dream last night! Do you want to see it?

Like BASKIN, HOUSEWIFE shares many similar themes of sexuality, family, social claustrophobia and surreal nightmares.
Why are these elements so important to you?

CAN: The day I find out why, I would probably quit filmmaking and move onto more tangible things in life.

Elaborate more on why you say HOUSEWIFE is your homage to Dario Argento and Lucio Fulci?

CAN: I am very inspired by Dario Argento and Lucio Fulci films. Fulci is one of the reasons I decided to be a filmmaker. They are more like crazy people painting with their own blood. I love their attention to weird details and emphasis on atmosphere and music, while some others aspects of their filmmaking seems super shallow and cheap. I am not intending my films to be shallow and cheap at any level, but I’m taking huge risks and sometimes when there are flaws, I try to make them in tune with the madness of the movie.

Where did you find lead actress Clémentine Poidatz and actor David Sakurai, who plays the head of the Umbrella of Love and Mind Cult?

CAN: I met Clementine in Paris, through my French producers Vixens. We clicked right away. I thought she had the right face and state of mind. She read the script and said she loved it. I thought she must either a really good actress or crazy. Turns out she was a bit of both. We were blessed to have her as Holly. She was the angel of our team from day 1!

David, I met in Fantasticfest, 2015. He was there with Liza The Fox Fairy. You gotta love that dancing grim reaper character! At the time, my reference for Bruce O’Hara was Joel Osteen. But after sharing the same taxi to the airport with David Sakurai, talking about movies and martial arts, he was the face of Bruce O’Hara for me. I really love both Holly and Bruce O’Hara. They are like my friends now, thanks to Clementine and David.

You don’t make your films easy for the audience to either watch or follow, is it important to make them invest more in your quirky ideas?

CAN: It’s all about submitting yourself to somebody else’s dream. That’s why it’s the pervert’s art. For me, that’s the most precious and unique thing about cinema. I also try to lose myself – as coherently as ı can – during the various stages of filmmaking. It’s tricky, confusing and soul consuming, and people think you don’t know about or care about the narrative, but it’s not that. I love it so far.

Talk a little about your relationship with co-writer Cem Ozuduru who you worked with on both films?

CAN: Cem is the reason I launched into Housewife after Baskin. It all started in our post Baskin movie nights. We had an overdose of male synergy in Baskin so this time we were chatting about making a revenge movie of sorts with a female lead. Then we decided to add some alien conspiracy in it. Then we went for English language. Then I think, it was me at some point who pushed it more to the way of dreams and dream logic. I felt that I had to bring it home. But the last 20 minutes were always there form the earliest draft.

Making a personal film is like searching for your inner child. And in this movie at some point, my inner child and Cem’s turned out to be different people. So we had some trouble keeping up the same dream together. And Cem had to leave the project for some days during the shoot and then in the editing too, because he was offered a top notch TV series work as writer and co-director. So ultimately I think Housewife ended up more of a film from my instinct, rather than the collaboration we started with. But still, Cem has been the biggest support for both Baskin and Housewife. Both times he was much more than the co-writer, and storyboard artist.
We constantly share videos about cinematography, crazy movies, music and aliens. We will collaborate again for sure.

What are you hoping audiences will take from the film?

CAN: A little slice of death for their dreams.

What’s next? Will you stay with horror, or do you want to try something totally different?

CAN: I recently completed a new short film, a segment for the upcoming horror anthology: The Field Guide To Evil, from the producers of ABC’s of Death. I tried a different approach this time. Rather than the operatic, stylish and heavy metal tone I usually go for, this time I tried to make it more like an East European festival film, but with a slight dose of nightmares, and a demon of childbirth! The camera language is closer to what I want to aim for in my next projects.

Next, there’s a dark fairy tale that we have been cooking for a while with my producer Muge Buyuktalas. I’ll try to bend it to my own world as much as I can, but hope to aim it for kids.

Has the Turkish Film Industry taken note of your international success? Are they now more open to genre production?

CAN: No. I don’t think they have. After Stranger Things and It, you know every producer is talking about making a horror movie / series these days, but we hate those kinds of motivations, don’t we? They don’t lead to sincere work.

Housewife receives its UK premiere at Horror Channel FrightFest Halloween 2017 on Saturday 28 Oct, Empire Haymarket, 6.45pm.
Tickets: http://frightfest.nutickets.com/

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Film news (UK): Remastered social network horror PANIC BUTTON set for Oct 23 DVD release, courtesy of Trinity Film.

Chris Crow’s ground-breaking, hard-edged psycho-cyber horror thriller PANIC BUTTON gets a remastered launch on DVD & Download from October 23, 2017.

SYNOPSIS:
Four young people win a trip of a lifetime to New York, courtesy of their favourite social-networking website – All2gethr.com. On board the private jet, their mysterious host invites to take part in the in-flight entertainment – a new online gaming experience. But this is no ordinary game. Trapped at 30,000 feet, they are forced to play for their lives and the lives of their loved ones. They are about to learn that putting your life online can have deadly offline consequences and that there no ESC key…

Panic Button, made in 2011, was one of the first British horror films to explore the dark side of social networking and the perils of sharing too much information online. Played out in a claustrophobic, almost real-time situation, the film taps into pertinent social issues that now have a universal significance in the digital age. Themes such as social media crime, identity theft, cyber bullying, voyeurism, peer pressure, child safety and terrorism all come into play, at a time when iPads and smart phone apps were only in there early generations.

Producer John Shackleton reflects: “iPad’s were not really a thing in 2010 when we were planning Panic Button as the first generation iPad was only released in the US April of that year. We knew we wanted touch screen technology in the jet and so went to great lengths to achieve that despite not having access to that early tech. We wanted our villain to be hiding behind the animated emoji of an Alligator, a subversion of the networking site in the film. Facial tracking was impossible for us in 2010 so we animated it and comped it together in crude form like he was an early adopter of new technology. Now, with the new iPhone X, anyone can hide behind an animated animal emoji which tracks your facial movements. Scary times indeed!”

DVD EXTRAS:
• Audio Commentary with writers Frazer Lee, John Shackleton & David Shillitoe,
• Trailer Galler
• Gag reel
• Outtake/deleted scenes
• Making of, Gallery
• Guerrilla Filmmakers Masterclass
• Flight School – How to get a film off the ground

PRODUCT INFORMATION:
Format DVD
RRP £12.99
BBFC Certificate 18
Genre Horror, Thriller
Running Time 95 minutes
Language English
Country of origin UK
Distributor Trinity Film

CREDITS:
PANIC BUTTON is a MOVIE MOGUL PRODUCTION, starring SCARLETT ALICE JOHNSON JACK GORDON MICHAEL JIBSON ELEN RHYS and JOSHUA RICHARDS.
Costume Designer: SIAN JENKINS, Hair and make up by VICTORIA NORTHBROOKE Production Designer: TIM DICKEL, Director of Photography: SIMON POULTER, Edited by JOHN GILLANDERS, music by MARK RUTHERFORD, Line Producer: GARETH I DAVIES, co-producer: DAVID SHILLITOE
Written by FRAZER LEE, JOHN SHACKLETON, DAVID SHILLITOE & CHRIS CROW
Produced by JOHN SHACKLETON & directed by CHRIS CROW

Retail link – https://store.hmv.com/film-tv/dvd/panic-button

Press contact:
Greg Day – Clout Communications UK
greg@cloutcom..co.uk 07889 861646 www.twitter.com/cloutcomcouk

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FILM NEWS (UK): Horror Channel FrightFest announces line-up for Halloween 2017 event

Horror Channel FrightFest Halloween 2017 unleashes seven choice shockers for the 7th annual West End Halloween chillorama – a wits-end wallow in all things gruesome, gory and glorious.

This year, the all-day shocktoberfest is at the Empire Haymarket on Sat Oct 28, 2017 and embraces one world, one European and five UK premieres, spanning three continents.

From the emotional making of a low-budget slasher to zombie nightmares, Gothic horrors, an outrageously strange mind cult, a sci-fi alien action extravaganza, a comic strip creature feature and the last word in Killer Clowns, this year’s line-up is an eclectic mix of the quirky, unusual and extreme.

Alan Jones, FrightFest co-director said today: “After FrightFest’s successful return to central London in August for our biggest and most acclaimed event yet, we’re pleased to announce our equally ambitious, and extended Halloween spooktacular. The line-up is a heady cocktail of horror, fantasy and sci-fi, which we hope haunts your nightmares until our Glasgow grindhouser next March”.

Attending guests will be announced shortly.

Tickets go on sale from noon on Sun 1 Oct. Passes: £45, single tickets: £14.50.
Bookings: http://www.frightfest.co.uk/tickets.html
Remaining single tickets can also be bought at the cinema on the day.

FULL LINE UP:

10:00 HORROR MOVIE: A LOW BUDGET NIGHTMARE (European Premiere)

Director: Gary Doust. Cast: Craig Anderson, Dee Wallace, Gerard Odwyer, Bryan Moses, Robert Anderson. Australia 2017. 99 mins.

A funny, sad, candid and revealing documentary on the making of RED CHRISTMAS, a recent FrightFest favourite. Sick of playing quirky roles on Australian TV shows, actor/filmmaker Craig Anderson puts everything on the line to make his first low budget slasher about an aborted foetus seeking revenge on its family. With money issues, union troubles, an angry Hollywood Scream Queen and even a circumcision to overcome, we follow Craig’s nail-biting rollercoaster production journey as he gambles his family’s life savings to relaunch his career as a horror film director in the highly competitive digital age of moviemaking and distribution.

12:05 HOSTILE (UK Premiere)

David Gasman. USA 2017. 82 mins.

A worldwide epidemic has killed most of the planet’s population. The few survivors struggle to find food and shelter. But they are not alone, for the ravaged remnants of society go hunting at night for human flesh. On her way back to base camp from a foraging expedition, Juliette has a terrible accident. Stuck in her car, with a broken leg, in the middle of an unforgiving desert, she must survive the perils of the post-apocalypse while a strange creature prowls around… From producer Xavier Gens, director of THE DIVIDE and FRONTIER(S), a terrifying, moving and unusual shocker.

14:10 THE BLACK GLOVES (World Premiere)

Director: Lawrie Brewster. Cast: Macarena Gómez, Nicholas Vince, Alexandra Nicole Hulme, Craig J. Seath, Jamie Scott Gordon. UK 2017. 80 mins.

The terrifying story of a psychologist obsessed with the disappearance of his young patient and the menacing owl-headed figure that plagued her nightmares. His investigations lead him to a reclusive ballerina who, just like his patient, is convinced that she is about to die at the hands of this disturbing entity. In the bleak Scottish highlands, Finn counsels his new patient, under the watchful eye of her sinister ballet teacher. He soon finds himself entangled in a pas-de-deux of paranoia, dark agendas and a maze of deadly twists and turns, as the legend of the Owlman becomes a terrifying reality.

16:10 IT CAME FROM THE DESERT (UK Premiere)

Director: Marko Mäkilaakso. Cast: Mark Arnold, Harry Lister Smith, Vanessa Grasse, Alec Mills, Callum McGowan. Finland/UK/Canada 2017. 89 mins.

Inspired by Cinemaware’s cult 1980s video game, itself motivated by the giant creature feature craze infesting 1950s Hollywood, get ready for the pulp action horror mutant monster movie of the year! It’s a terribly tall tale involving rival motocross heroes and cocooned heroines, out-of-control kegger parties in the New Mexico desert, crashed meteors from outer space, secret underground labyrinth military bases, romantic insecurities …and epic havoc caused by massive spider/ant hybrids! Smartly scripted, extremely funny and very creepy, with terrific special effects in homage to Ray Harryhausen, get with the OTT deadpan delivery and the Project T.H.E.M. program.

18:45 HOUSEWIFE (UK Premiere)

Director: Can Evrenol. Cast: Clémentine Poidatz, David Sakurai, Ali Aksöz, Defne Halman, Alicia Kapudag. Turkey 2017. 82 mins.

The first English-language feature from innovative Turkish director Can Evrenol who took shocked audiences on a tour of hell in BASKIN. After that homage to John Carpenter, join the Turkish delight as he navigates Dario Argento and Lucio Fulci territory with another pitch black delve into dark sexuality, family values, social claustrophobia, and outrageous nightmares. On a snowy eve, little Holly’s sister and father are killed by her frantic mother. Twenty years later, Holly is married, lonely, and her life is soon about take a turn for the ultra-weird when she visits the ‘Umbrella of Love and Mind’ cult.

20:40 BEYOND SKYLINE (UK Premiere)

Director: Liam O’Donnell. Cast: Frank Grillo, Bojana Novakovic, Iko Uwais, Johnny Weston, Antonio Fargas. USA/Indonesia 2017. 105 mins.

In the highly-anticipated sequel to the 2010 breakout blockbuster hit SKYLINE, tough-as-nails detective Mark (THE PURGE star Frank Grillo) embarks on a relentless pursuit to free his embittered rebellious son Trent (Johnny Weston) from a nightmarish alien warship as the extraterrestrial menace continues its human harvest. Set concurrently with the original sci-fi shocker, with Mark and Trent trapped on a subway train as the intergalactic invasion begins, THE RAID franchise martial arts star Iko Uwais joins the thrilling turbo-charged action adventure as a disparate group of survivors must learn the true meaning of family.

23:00 TERRIFIER (UK Premiere)

Director: Damien Leone. Cast: Jenna Kanell, Catherine Corcoran, Margaret Reed, Katie Maguire, David Howard Thornton. USA 2017. 82 mins.

You thrilled to IT, now chill to Art the maniacal clown of all your worst nightmares. Appearing initially in director Damien Leone’s 2008 short THE 9th CIRCLE, then the 2011 award-winning short TERRIFIER, horrifying Art returns for his first full-length frightener. Here Leone delivers all the gore and much more in this slasher exploitation extravaganza that’s both lip-smackingly disturbing and screamingly shocking. For Art is back on the silent prowl ready to terrorize three young women on Halloween night and anybody who stands in his dismembering way.

Press and publicity enquires:
Greg Day @ Clout Communications Ltd
07889 861646 greg@cloutcom.co.uk

High res images: http://cloutcom.co.uk/picture-gallery/frightfest-halloween-2017/

www.frightfest.co.uk

@frightfest

https://www.instagram.com/explore/tags/frightfest/?hl=en

https://www.facebook.com/groups/FrightFest/

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FILM NEWS (UK): Horror Channel celebrates Stephen King’s 70th year with series of network premieres.

Sky 319 / Virgin 149 / Freesat 138 / Freeview 70

Works by Stephen King feature heavily this month on Horror Channel, which celebrates the icon’s 70th year as one of horror’s most prolific and popular authors. There are network premieres for his fearsome feline anthology CAT’S EYE, starring James Woods & Drew Barrymore; his darkly weighty cautionary tale STEPHEN KING’S THINNER, directed by Tom Holland in his directorial debut; the science-fiction action horror MAXIMUM OVERDRIVE, starring Emilio Estevez; and the 2009 adaptation of his short story CHILDREN OF THE CORN.

Horror Channel has eleven film premieres in October, including the UK premieres of SOUTHBOUND, a chiller compendium from the creators of the V/H/S franchise; Mitch Wilson’s gruesome hell-ride KNUCKLEBONES; and Declan O’Brien’s twisted take on the Outback slasher franchise, WRONG TURN 5: BLOODLINES.

There are also network premieres for remakes THE HILLS HAVE EYES 1 & 2, George Mihalka’s Canadian slasher MY BLOODY VALENTINE, and hillbilly horror returns in Valeri Milev’s WRONG TURN 6: LAST RESORT.

Full film details in transmission order:

Fri 6 Oct @ 22:50 – WRONG TURN 5: BLOODLINES (2012) *UK TV Premiere

The popular Outback slasher franchise continues… A small mining town hosts the Mountain Man Festival on Halloween. The wild night of costumes, drinking and partying turns into a bloodbath when an inbred family of hillbilly cannibals target several college students for dinner. Doug Bradley, Roxanne McKee, and Camilla Arfwedson star.

Sat 7 Oct @ 21:00 – CAT’S EYE (1985) *Network Premiere

Three shocking Stephen King short stories are linked by a stray cat that roams from one tale to the next. First, Dick (James Woods) is trying to quit smoking by any means necessary — even joining a shady self-help group. Next, Johnny (Robert Hays) is an adulterer forced by the wronged husband to circle a building’s hazardous ledge. Lastly, Amanda (Drew Barrymore) is threatened by an evil gnome who throws suspicion on the family cat.

Fri 13 Oct @ 23:00 – WRONG TURN 6: LAST RESORT (2014) *Network Premiere

Get ready for more backwoods gory mayhem as a sudden and mysterious inheritance brings Danny (Anthony Ilott) and his friends to Hobb Springs, a forgotten resort deep in the West Virginia hills. Hobb Springs is being looked after under the watchful care of Jackson and Sally, a socially awkward couple who introduce Danny to the long lost family he’s never known. Soon, Danny is forced to choose between his friends and his bloodline.

Sat 14 Oct @ 21:00 – MAXIMUM OVERDRIVE (1986) *Network Premiere

After a comet causes a radiation storm on Earth, machines come to life and turn against their makers. Holed up in a North Carolina truck stop, a group of survivors must fend for themselves against a mass of homicidal trucks. A diner cook, Bill Robinson (Emilio Estevez), emerges as the unlikely leader of the pack, attempting to find an escape plan for himself and the survivors.

Fri 20 Oct @ 22:45 – THE HILLS HAVE EYES (2006) *Network Premiere

Alexandre Aja’s remake of Wes Craven’s 1977 original centres on a family who becomes stranded in a barren US atomic zone. They soon discover, to their horror, that the wasteland is far from uninhabited. A band of bloodthirsty mutants prowls the area, and there is nothing they like better than fresh human meat.

Sat 21 Oct @ 21:00 – STEPHEN KING’S THINNER (1996) *Network Premiere

Billy Halleck (Robert John Burke) is an obese lawyer who accidentally hits a gypsy with his car. Given Halleck’s influence in town he manages to brush the incident under the rug with some unethical legal help. However, the victim’s father, Tadzu Lempke (Michael Constantine), places a curse on him and he starts to lose weight at an alarming rate. Then, events become even more macabre.

Sun 22 Oct @ 23:00 – MY BLOODY VALENTINE (1981) *Network Premiere

It’s Valentine’s Day in a tiny mining town in Nova Scotia, and, for the first time in two decades, the residents are planning a holiday dance, defying an old folk tale surrounding a deranged murderer killing those who celebrate Valentine’s Day. True to legend, bodies begin piling up, setting the scene for a tale of monstrous revenge and a climactic chase through the mines.

Fri 27 Oct @ 22:50 – THE HILLS HAVE EYES II (2007) *Network Premiere

 During a routine patrol of the New Mexican desert, members of a National Guard unit (Michael McMillian, Jessica Stroup & Daniella Alonso) stop at a deserted research camp. Picking up a distress signal coming from a mountain range, they set out to investigate, unaware that a tribe of vicious, cannibalistic mutants awaits their arrival…

Sat 28 Oct @ 21:00 – CHILDREN OF THE CORN (2009) *Network Premiere

As physician Burt Stanton (David Anders) and girlfriend Vicky (Kandyse McClure) drive across the American Midwest to his new job, their trip comes to a sudden halt when they encounter the body of a murdered boy in the road. Trying to contact the authorities, Burt and

Vicky wander into a small town populated only by children. Soon they realise in horror that the youthful fanatics want to sacrifice them to their demonic deity.

Sun 29 Oct @ 21:00 – SOUTHBOUND (2015) *UK TV Premiere

Five interlocking tales of terror follow the fates of travellers who confront their worst nightmares over one long night on a stretch of desert highway. There are two blood-soaked men on the run from supernatural horrors, an all-girl band taken in by a strange family, a man who has to perform emergency surgery with spooky 911 assistance, a home invasion and a rescue mission that goes horribly awry. The Crypt Keeper would be so pleased! Directed by Roxanne Benjamin, David Bruckner, Patrick Horvath and Radio Silence.

Tues 31 Oct @ 21:00 – KNUCKLEBONES (2016) *UK TV Premiere


When a group of bored friends come together for a night of fun they dare each other to draw a pentagram and perform an ancient rite. Then they stumble across an antique dice game of chance made from human knucklebones. Their first instinct is to roll them gruesome bones. Their second instinct is to run for their lives when they summon up a murderous demon…

Sky 319 / Virgin 149 / Freesat 138 / Freeview 70
www.horrorchannel.co.uk | twitter.com/horror_channel | facebook.com/horrorchannel

Press enquiries:
Greg Day, Clout Communications
greg@cloutcom.co.uk 07889 861646

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Press release: THE FRIGHTFEST GUIDE TO MONSTER MOVIES is unleashed in the US on October 18, 2017.

FrightFest and FAB Press are launching the paperback edition of Michael Gingold’s THE FRIGHTFEST GUIDE TO MONSTER MOVIES in the US. Available from all good bookstores across America from Wed 18 Oct, its official book launch takes place that day at New York’s Forbidden Planet store, with the author present.

It is also now available in the UK from all good bookstores. The hardback version, launched at this year’s Horror Channel FrightFest event, can be exclusively purchased from the FAB Press website: www.fabpress.com

In the book, celebrated writer, editor and critic Michael Gingold traces the history of the genre from the silent movies all the way through to the present day. From Universal Studios legends such as Frankenstein’s Monster and the Wolf Man, to the big bugs, atomic mutants and space invaders that terrorized the ’50s, to the kaiju of Japan and the ecological nightmares of the ’70s and ’80s, to the CG creatures and updated favourites of recent years — they’re all here.

Two hundred of the greatest creature features from across the globe are reviewed, with fascinating facts and critical analysis, all illustrated with a ghoulish gallery of remarkable monstrous imagery. Cult-favourite filmmaker Frank Henenlotter, creator of some of the screen’s most idiosyncratic and bizarre beings, contributes a foreword.

A whole world and grisly galaxy of creatures great and small, spawned from space, the supernatural and strange science, the beginning of time, beneath the sea and beyond imagination, await in this book. Dare you confront the beasts within?

For review copies, either pdf or physical copies, contact Harvey Fenton at FAB Press harvey@fabpress.com 07790 664367

For interviews & further materials contact Greg Day at Clout Communications
greg@cloutcom.co.uk 07889 861646

Editor’s notes:

The Author
Michael Gingold is an internationally renowned journalist and critic who served as a writer and editor for the world’s biggest horror movie magazine, Fangoria, for over 25 years. Recently, Michael expanded his horizons, writing for Rue Morgue and Birth.Movies. Death in print and online, along with Time Out New York and IndieWire.com, among others.

Foreword written by Frank Henenlotter
The renowned independent filmmaker known for his low-budget monster movies, including Basket Case, Brain Damage, Frankenhooker and Bad Biology, Frank Henenlotter is a lifelong monster movie fan. He lives in New York City, whose 42nd Street movie theatres famously screened most of the films in this book.

The Publisher
FAB Press is an independent publishing company that has been serving film fans since 1993, issuing a library of titles that cover all the important directors and movie genres of interest to cult connoisseurs. Previous publications include a trilogy of essential books written by FrightFest’s own Alan Jones: The FrightFest Guide to Exploitation Movies, Dario Argento: the Man, the Myths and the Magic, and Nicolas Winding Refn: The Act of Seeing.
www.fabpress.com

The Festival
FrightFest is the most prestigious horror fantasy movie event in the United Kingdom. Created by Paul McEvoy, film exhibitor Ian Rattray, film critic, international journalist, author and broadcaster Alan Jones, and veteran PR man Greg Day, the main FrightFest event takes place annually over the August Bank Holiday in London.
www.frightfest.co.uk

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Press release: REVEALED: Horror Channel FrightFest will be screening VICTOR CROWLEY – Adam Green’s reboot to the Hatchet series

Victor Crowley Lives!

Following the slasher reboot’s surprise debut at Hollywood’s ArcLight Cinema, Horror Channel FrightFest has announced that its “Hatchet 10th Anniversary Celebration” is in fact the European premiere of Adam Green’s VICTOR CROWLEY, the fourth film in the Hatchet series.

Set a decade after the events of the series’ first three films, VICTOR CROWLEY reunites Hatchet mainstays Kane Hodder (Friday the 13th 7 – X’s Jason Voorhees) and Parry Shen (Better Luck Tomorrow) for an all-new, horrifying journey into the haunted, blood-drenched bayou.

Green said today: “I couldn’t be happier to partner with Dark Sky Films and bring Victor Crowley back to horror fans around the world. Resurrecting the series for its tenth anniversary was our way of saying thank you to everyone in The Hatchet Army and beyond who have supported this series since its inception. This bloodbath is for all of you.”

VICTOR CROWLEY screens at Horror Channel FrightFest on Saturday 26 August at Cineworld Leicester Sq.

Book tickets here: http://www.frightfest.co.uk/tickets.html

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FILM NEWS (UK): Horror Channel to give STARRY EYES its UK TV premiere


Sky 319 / Virgin 149 / Freesat 138 / Freeview 70

 

Horror Channel has nine prime-time film premieres in September including the UK premiere of Kevin Kolsch and Dennis Widmyer’s stunning contemporary occult tale of Hollywood ambition and possession, STARRY EYES.

There are also network premieres for Sam Raimi’s ferociously terrifying DRAG ME TO HELL, Eli Roth’s splatter sensation HOSTEL, Mike Mendes’ ultimate B-Movie experience BIG ASS SPIDER, Jonathan King’s zombie sheep gore comedy BLACK SHEEP, James Wan’s creepy killer-doll horror DEAD SILENCE, starring True Blood’s Ryan Kwanten, Robert Longo’s cyberpunk action thriller JOHNNY MNEMONIC, starring Keanu Reeves, Bryan Bertnia’s home-invasion chiller THE STRANGERS, starring Liv Tyler and John Carpenter’s high-kicking fantasy thriller BIG TROUBLE IN LITTLE CHINA, starring Kurt Russell and Kim Cattrall.

Full details of season in transmission order:

 Sat 2 Sept @ 21:00 – DRAG ME TO HELL (2009) * Network Premiere

The creator of the Evil Dead series Sam Raimi leaves Spiderman movies behind and returns to his horror roots. And what a return! Fast-paced, frightening and funny Drag Me To Hell follows the course of a curse laid upon a well-meaning bank clerk. Demons are on the rise, and Raimi applies all of his trademark visual dynamism to this diabolic jamboree. Stars Alison Lohman and Justin Long.

Fri 8 Sept @ 21:00 – BLACK SHEEP (2006) *Network Premiere

Are you ready for the violence of the lambs? In the ‘Bad Taste’ tradition of Peter Jackson, Kiwi director Jonathan King’s zombie sheep black comedy is a shear delight. Sheep-phobic farmer Henry Oldfield wants to sell his share in the family farm, to the delight of his evil bother who is genetically altering the mutton to create a super-sheep. Then a toxic lamb foetus escapes infecting the flock turning them into rampaging bloodthirsty monsters and humans into were-sheep.

Sat 9 Sept @ 22:45 – THE HOSTEL (2005) *Network Premiere

American backpackers Jay Hernandez and Derek Richardson find themselves in a terrifying nightmare scenario when they head for Slovakia lured by the promise of easy sex with Eastern European girls. Garnering notorious headlines when it was first released, this the slasher rejuvenated and intellectualised in a way that stays with you. Stars Jay Hernandez, Derek Richardson, Jana Kaderabkova, Jennifer Lim and Barbara Nedeljakova.

Fri 15 Sept @ 21:00 – BIG ASS SPIDER (2015) *Network Premiere

A 50-foot-tall alien spider escapes from a military lab and rampages the city of Los Angeles. When a massive military strike fails, the city’s scientists and soldiers turn to an unlikely hero. Alex (Greg Grunberg), a bug exterminator, and his Mexican security guard sidekick, Jose (Lombardo Boyar), are the hapless duo who team up to kill the creature before the city is destroyed. Also stars Ray Wise.

Sat 16 Sept @ 21:00 – DEAD SILENCE (2007) *Network Premiere

After his wife meets a grisly end, Jamie Ashen (Ryan Kwanten) returns to their creepy hometown of Ravens Fair to unravel the mystery of her murder. Once there, he discovers the legend of Mary Shaw (Joan Heney), a murdered ventriloquist whose eerie presence still looms over the town. As he desperately digs for answers, Jamie encounters the curse that took his wife’s life and threatens his own.

 

Fri 22 Sept @ 21:00 – JOHNNY MNEMONIC (1995) *Network Premiere

 Based on the William Gibson story, Johnny (Keanu Reeves) is a data courier who has a secret stash of information implanted into his mind. However, the data will kill him if he cannot retrieve it within forty-eight hours. Accompanied by physically enhanced bodyguard Jane (Dina Meyer), Johnny sets out to acquire the passwords he needs to save himself. Worse yet, he is hunted by gangster Shinji (Denis Akiyama) and businessman Takahashi (Takeshi), both of whom seek the data Johnny possesses.

Sat 23 Sept @ 21:00 – THE STRANGERS (2008) *Network Premiere

Kristen (Liv Tyler) and James (Scott Speedman) retreat to a family vacation home for a relaxing weekend but their stay turns out to be anything but peaceful. A series of unexpected arrivals sparks a deadly sequence of events. First, a mysterious and dangerous woman turns up, then James accidentally kills his friend Mike (Glenn Howerton), mistaking him for an intruder. But the real danger arrives in the form of three masked torturers, leaving Kristen and James struggling for survival.

Fri 29 Sept @ 23:00 – STARRY EYES (2014) *UK TV Premiere

 Determined to make it in Hollywood, reluctant waitress Sarah Walker (Alex Essoe) goes on countless casting calls in hope of getting her big break. After a series of weird auditions at the mysterious Astraeus Pictures, she lands her dream part. But with this opportunity comes bizarre ramifications that will transform her both mentally and physically into something beautiful and altogether more terrifying.

Sat 30 Sept @ 21:00 – BIG TROUBLE IN LITTLE CHINA (1986) *Network Premiere

Hard-boiled truck driver Jack Burton (Kurt Russell) gets caught in a bizarre conflict in San Francisco’s Chinatown when an ancient Chinese prince and Chinatown crime lord kidnaps a beautiful green-eyed woman Miao Yin (Suzee Pai). Miao is the fiancée to Jack’s best friend. And Jack must help rescue the girl before the evil Lo Pan uses her to break the ancient curse that keeps him a fleshless and immortal spirit.

TV: Sky 319 / Virgin 149 / Freesat 138 | Freeview 70
www.horrorchannel.co.uk | twitter.com/horror_channel | facebook.com/horrorchannel

Press enquiries:
Greg Day, Clout Communications
greg@cloutcom.co.uk   07889 861646

 

 

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Ahead of her eagerly awaited presence at Horror Channel FrightFest 2017, genre icon, actress & producer BARBARA CRAMPTON talks exclusively about her latest film Replace, battling chronic fatigue syndrome and her passion for supporting new talent.

BARBARA CRAMPTON talks exclusively about her latest film Replace

Q: REPLACE raises questions about beauty, body image and growing older, issues that many feel plague the Hollywood movie industry. What is your view on this subject?

The best movies reflect our inner world, our hopes, our good intentions, trials and our demons. Growing old and the fear of death is endemic to all, not just the movie industry. Just when you begin to figure it out your back aches, your skin starts to wrinkle and you gain weight just by LOOKING at your food. Let’s be frank: Aging sucks! But it also gives you a calendar to get things done. If we had an abundance of time we might be sloths putting off everything and accomplishing nothing. To me the best thing you can do is to live in each moment as successfully as possible. That translates to all areas of your life, personal, career and lifestyle choices.  

 I am not immune however to feeling the anxiety of it all and I do believe most of us lack a grace about allowing nature and gravity to happen. We are collectively obsessed with youth and beauty and that’s a problem.

Q: Co-writer/director Norbert Keil says he got the idea for Replace after going to hospital for a back operation. Was that something you could empathise with – the feelings of mortality raised when in such a medical environment?

It wasn’t a medical environment that did it for me but rather a chronic illness. I developed chronic fatigue syndrome 12 years ago after a parasite I had went undiagnosed for 9 months. I was literally in bed for 2 years. The worst time of my life. I was confronted with the fear of the termination of my long term health. Some people live with CFS and never recover. The medical community is  still baffled by the syndrome. For me it was quite possibly that my immune system was acting in overdrive, first to rid itself of the parasite and then not being able to turn itself off when the parasite was eradicated. One doctor saved me. Per his instructions I had to become a model patient and test every part of my being: physical, mental, emotional and spiritual. I worked on every system to lubricate every aspect. I actually healed things I didn’t realize needed work. Finally my body calmed down and recovered. At one point though, when I was at my lowest, I thought, “Is this it? I haven’t done enough yet!” After I was better, that’s when I started working harder on everything, including my appreciation for being here.

BARBARA CRAMPTON talks exclusively about her latest film Replace

Q: Doctor Rafaela Crober was a part originally written for a man, so what if anything changed in the script to accommodate your feminine side?  

Not too much. A few pieces of dialogue here and there. Science is not male or female and the quest for longevity, which is really what Dr. Crober is interested in, transcends gender.

Q: You’ve said you wanted to play Doctor Crober as someone in full control, can you elaborate?

Crober is playing with science too, albeit for different reasons than Kira, her patient. She has to be so sure of herself and where she thinks the journey will take mankind to pursue such lofty goals. Saying more would give too much away if you haven’t seen the film.

Q: Richard Stanley was a co-writer on Replace. Were you familiar with his work and reputation and did he attend the shooting?

Of course, his reputation is legendary. Richard is a fascinating visionary, an artist. He got a very raw deal on The Island of Dr. Moreau. Fortunately people in the industry realize this and he has some great opportunities coming up. Long overdue.

Q: Replace is such a visually stunning movie with a very precise look. How does seeing that magic happening around you colour your performance? 

To be honest I did not visualize the movie as it was (in the finished film) while on set. I had a picture in my mind when I read the script that was very subjective to my character. The visuals blew me away when I saw the final finished film. It makes sense though I think, that the visuals are so beautiful and striking, as the movie is from the mind of protagonist Kira. She’s looking for beauty to support the needs of her soul.

BARBARA CRAMPTON talks exclusively about her latest film Replace

Q: The film has an early David Cronenberg feel, did director Norbert Keil discuss any body horror influences or inspirations with you? 

Cronenberg was a very direct influence. And I think the themes of Richard’s work on The Island of Dr. Moreau.

Q: You have now been a guest at many of the world’s fantasy festivals. And this is your second time at FrightFest. Why are these events so important and what makes FrightFest stand out?

I am so grateful to back in the film community and to be fortunate enough to travel to Fests where audiences support and love genre cinema. We are in a transitional period though I believe and festivals for film are one of the only things keeping us alive, supporting new film makers. Film fests are sometimes your only theatrical release so it is of great importance to have your film shown at one that audiences will hopefully love and a distribution company will hopefully buy. FrightFest has a very saavy audience and a very vocal one. You want people to cheer for you and have journalists write a nice review to get distribution companies to make you an offer! 

Q: You’re more prolific in the genre than ever. You had four movies showing at FrightFest in 2015 and you have another four in post-production. You are clearly enjoying it more this time around? 

I’m having a ball really while enjoying the work in a way I never did before. I’m much more relaxed about my place in the business and I enjoy helping others realize the same dreams I had at a young age. I am invested in each project I work on even if I’m not involved in a producer capacity. I want to help others create the best film they possibly can.

Q: You’ve chosen to be a mentor for FrightFest & MPI Media’s NEW BLOOD Initiative. Is supporting new genre writers an important mission for you?

I am passionate about having the best script possible to begin the journey to creating a film. I do think that too many times the script isn’t as good as it could be and “people” forgive themselves too soon about that and forge ahead with submitting a script or filming without being completely ready. The script is your foundation, spend lots of time on it. I love writers. They have the capacity for insight and understanding of human nature, of people’s vulnerabilities, strengths and desires. When I read a great script with characters I care about, I fall in love with the writer a little bit.

I feel I can help a lot with the development process of a screenplay. Character is story and story is character. The journey that an actor will take in the story is something I am very familiar with and have worked on a lot. The script is the very first thing you begin with, so let’s get that right first. Then we can discuss the importance of making a great first impression with your freshman effort if you want to direct it as well. It used to be that you made a film and people in charge would see “promise” in you and you’d be able to move on to your next movie. That’s becoming harder and harder for a lot of reasons. Make the best damn first film you can.

 My friend, esteemed journalist and film critic, Steve Prokopy said to me recently, “20% of all movies are truly great or really awful. The rest exist in a grey zone of average, above average or below average.”  What kind of movie do you want people to say you’ve made? Impressions are important on a first date and a first movie.

Q: You’re increasingly becoming involved in films as a producer. Do you feel this is a natural progression in your career?

At this point in my life and career it depends on the project. If I really love something I’ll want to work on it. For me a story needs a strong narrative with an emotional core. That’s what my sensibilities are attracted to. I really love acting and I do enjoy helping others realize their dream.

Q: Finally, what’s next?

I have two projects that I’m actively working on to produce. One, I may have an acting part in as well. There are also a few movies which I shot in the last two years or so as an actor only and they are still in various stages of post-production. Hopefully I’ll be seeing you next year on the fest circuit with one of those!

REPLACE receives its UK Premiere on Sunday 27 Aug, 3.30pm at The Prince Charles Cinema, Leicester Square, as part of Horror Channel FrightFest 2017. Barbara is also a mentor for the FrightFest / MPI Media UK script writing talent search NEW BLOOD.

Press contact:
Greg Day
Co-Director, FrightFest
Director, Clout Communications
greg@cloutcom.co.uk

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Film News (UK): Five new horror talents shortlisted for second FrightFest Screen Genre Rising Star Award

Genre Rising Star Award logo

Tom Paton, Dominic Bridges, Joanne Mitchell, Matthew Holness and Danny Morgan have all been nominated for the second Screen International Genre Rising Star Award, in association with Horror Channel FrightFest 2017 (August 24-28)

The award was established with in 2016 to celebrate the work of emerging UK genre talent, with the first recipient being Prevenge director Alice Lowe. This year’s winner will be announced on Monday August 28 in an event at the Cineworld Leicester Square at 6.30pm. It will be hosted by Screen contributing editor & critic Nikki Baughan and entry is free.

 Tom Paton has been shortlisted for his feature debut Redwood, for which he also wrote the screenplay. Playing the Cineworld Discovery screen on FrightFest opening night, the film follows a couple who disturb a nest of vampires while hiking in the woods. Paton is currently working on his follow-up, Black Site.

Dominic Bridges is in the running for his feature debut Freehold (previously titled Two Pigeons), in which he subverts the home invasion thriller to make a chilling point about the urban class divide. Bridges previously directed documentary short Underdog, and episodes of TV series Shelfstackers.

Joanne Mitchell has been shortlisted for her work as an actress and producer on Attack Of The Adult Babies, which sees unwitting two teenagers break into a country house where high-powered men enjoy dressing up as babies, as well as previous genre projects including Bait and Before Dawn.

 Matthew Holness has been nominated for his successful migration from the small-screen, where projects including Garth Marenghi’s Darkplace and Free Agents, to shorts such as Smuch (which screened as part of Sky’s Halloween Comedy Shorts) and upcoming feature debut Possum. Possum stars Sean Harris as a disgraced childrens’ puppeteer who returns to his childhood home to confront his vicious stepfather.

Danny Morgan has been nominated for his work on horror comedy Double Date, directed by Benjamin Barfoot. Morgan wrote the screenplay and also stars as hapless 30-year-old virgin Jim, whose desire to find love leads him and best friend Alex (Michael Socha) into danger. Morgan has starred in TV shows like Ideal and features including On The Road, and has written several shorts. Double Date is his first feature screenplay.

Screen International editor Matt Mueller said: “We are delighted to be partnering with Horror Channel FrightFest again this year for the Genre Rising Star award. Screen is always eager to support exciting new UK talent and we look forward to announcing the winner at this year’s festival.”

FrightFest co-director Greg Day added: “Identifying and promoting new UK talent is very rewarding and we’re so pleased to continue to do this in partnership with the UK’s leading film industry publication”.

 

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Film News (UK): Horror Channel FrightFest announces 2017 Short Film Showcase

With twenty-six films over three days, including ten World, four European and seven UK premieres, Horror Channel FrightFest’s short film showcase unleashes this year’s eclectic mix of the bold, brave, bloody and barmy with films programmed to entertain, frighten, enlighten and simply amaze.

Shaun Dooley & Sally Phillips in BLOOD SHED

There are twelve films from the United Kingdom, forming the centerpiece of this year’s line-up. These include James Moran’s BLOOD SHED, starring Shaun Dooley and Sally Phillips, where a man’s love of his garden shed takes a rather murderous turn. In JUDGEMENT, Neil Maskell stars as a single man looking for love in all the wrong places and Laurence R. Harvey shines as a mutated children’s’ toy in TEDDY BEAR’S PICNIC. Then there’s Katie Bonham’s MAB, about a girl who turns to witchcraft to teach someone a lesson.

The other home-grown offerings see people haunted by ghostly figures in HELD DOWN BY A SHADOW and MAYFLOWER, while humans are the threat in THE WELCOMING and MISDIRECTION. Other dimensions hold secrets and sway in EVENT HORIZON and HUM, while the house down the lane holds horror in the Cannes-selected REAL GODS REQUIRE BLOOD. And finally, SMEAR will make you laugh all the way to the most uncomfortable procedure at the doctors’ surgery.

Neil Maskell in JUDGEMENT

Horror from around the world will creep up on you, first as a cat with a deadly secret in MEOW, then as a woman out for revenge in FOR A GOOD TIME, CALL…Being alone in a strange house is no laughing matter in DRIP DROP and ROTARY, while one should be careful of what lurks behind the doors in CRESWICK and FEEDING TIME, which stars Stacy Snyder and Graham Skipper. And if you think butterflies are just cute flying insects, VOCABULARY 1 might change your mind.

Love can tear you apart or set you free in the gorgeous fantasies of BAD HEADS and NIMMER, while the loss and search for loved ones becomes an obsession in MAN IN THE MOON and AN ELDRITCH PLACE. And the lure of power is too much for some people when the realm of science fiction makes the unbelievable seem real, in KEPT and TETHER.

In addition to the showcases, there are two special short film screenings. Preceding our opening night film ‘Cult of Chucky’ is THE DOLLHOUSE, a loving tribute to growing up in the world of the psychokiller doll, directed by Kyra Gardner. And our very own short film programmer Shelagh Rowan-Legg’s new film FLOW will have its European premiere preceding the screening of DHOGS.

Shelagh said today: “This year Horror Channel FrightFest’s short film selection will take you from the darkest reaches of space to the darkest corners of the bedroom closet. With babysitters who are just a bit too inquisitive, manipulative men getting their just desserts, mothers trying to help their video-game addicted sons, security guards confronted by other-worldly monsters: these shorts from the UK and around the world offer the new wave of fantastic genre cinema”.


The full line-up

FRIDAY 25 AUG – SPLICE MEDIA DISCOVERY SCREEN 1 from 13:20
(Prince Charles Cinema)

THE WELCOMING (World Premiere)
Director: Russ Gomm. Cast: Isabel Calder, Ben Shockley. UK 2017. 7 mins.
A little girl goes wandering in the woods. But some who wander might end up lost in darker places.

ROTARY (World Premiere)
Director: Lorenzo P. Adams. Cast: Emma Fawkes, David M. Goldberg. US 2017. 11 mins.
This babysitter’s childminding nights are usually uneventful. But not this evening…

BAD HEADS (London Premiere)
Director: Rebekah Fieschi. Cast: Alice Dessuant, Diako Diakoff. France 2015. 14 mins.
Jenny wants love so much she is willing to create it from scratch. But what she creates might not be what she wants.

MISDIRECTION (UK Premiere)
Director: Nic Alderton. Cast: Lucy Cudden, Daniel Caltagirone. UK 2017. 9 mins.
Steph, a married but lonely woman, meets an intriguing stranger at a bar. His charm might be more deadly than she imagines.

FOR A GOOD TIME, CALL…(European Premiere)
Director: Izzy Lee. Cast: Sean Carmichael, Tristan Risk. US 2017. 12 mins.
A man who uploads a homemade sex video taken in secret gets more than he bargained for when he makes a pit stop.

TETHER (International Premiere)
Director: Tim Reis. Cast: Mark Ashworth. US 2017. 12 mins.
A soldier in battle. A surgical team remotely repairing him. Warfare just hit a new level.

KEPT (World Premiere)
Director: Jaime Gonzalez. Cast: Jairo Camargo, Manuel Sarmiento. Colombia 2017.m18 mins.
Scientists have discovered a way to record dreams, and those with ulterior motives waste no time exploiting those whose dreams are the most powerful.

MEOW (European Premiere)
Director: Chris Jopp. Cast: Eleonore Dendy, Charles Hubbell. US 2016. 13 mins.
Samantha has a new apartment, and a cat she must keep hidden from the landlord. But that might be hard with all the bodies that keep appearing.

 

SUNDAY 27 AUG – SPLICE MEDIA DISCOVERY SCREEN 2 from 11:15

EVENT HORIZON (UK Premiere)
Director: Joséfa Celestin. Cast: Kate McLaughlin, Lori Stott. UK 2016. 10 mins.
Julianne is reluctant to leave childhood behind. But her fear of the future manifests in a strange celestial object that she must confront.

MAN IN THE MOON (UK Premiere)
Director: Monique Mulcahy. Cast: Pauline Grace, JC Innamorati. Australia 2016. 13 mins.
A single mother is concerned about her son’s obsession with a homemade video game. But her obsession turns to fear when she intercepts a strange transmission.

MAYFLOWER (World Premiere)
Director: Christopher Goodman. Cast: Jason Ryall. UK 2017. 7 mins.
A young engineer wakes up from cryo-sleep during a routine deep space flight. Was it due to a false alarm, or something more sinister?

VOCABULARY 1 (London Premiere)
Director: Becky James. Cast: Emma Roselle. US 2016.
Snakes are dangerous, and butterflies are cute. But is that really the case?

NIMMER (London Premiere)
Director: Lieven Vanhove. Cast: Geert Vandyck, Sarah Eisa. Belgium 2016. 16 mins.
A lighthouse. Two lovers. A dangerous cliff and the turbulent sea. Time is running out.

FEEDING TIME (UK Premiere)
Director: Matt Mercer. Cast: Stacy Snyder, Graham Skipper. US 2016. 13 mins.
When a young woman fills in for her friend on a babysitting job, she begins to suspect things are not as they seem.

REAL GODS REQUIRE BLOOD (London Premiere)
Director: Moin Hussain. Cast: Anna Berentzen, Kirsty Doyle. UK 2017. 20 mins.
A young woman does her neighbour a favour and looks after her young children. But something is lurking in the shadows.

BLOOD SHED (World Premiere)
Director: James Moran. Cast: Shaun Dooley, Sally Phillips. UK 2017. 13 mins.
Jack loves a bargain. And he loves sheds. But when he gets his very own dream shed, it might be a little more than he bargained for.

 

MONDAY 28 AUG – SPLICE MEDIA DISCOVERY SCREEN 2 from 11:15

TEDDY BEARS PICNIC (World Premiere)
Director: Thomas Hodge. Cast: Abby Miller, Laurence R. Harvey. UK 2017. 5 mins.
When this young mother and her daughter go out in the woods today, they are definitely in for a big surprise.

MAB (World Premiere)
Director: Katie Bonham. Cast: Maria Teresa, Lucy Clements. UK 2017. 15 mins.
Rosie makes strange daily deliveries to an isolated woman in the woods. But one day Rosie needs the woman’s services, which she never imagined.

AN ELDRITCH PLACE (UK Premiere)
Director: Julien Jauniaux. Cast: Ludovic Philips, Habib Ben Tanfous. Belgium 2016. 16 mins.
When Abdel accepts a night watchman job for Francis, he’ll soon discover his obscure secret.

HUM (London Premiere)
Director: Stefano Nurra. Cast: Adam Shaw, James Bryce. UK 2017. 15 mins.
A grieving plumber seeks out a disgraced quantum physicist to rid himself of a tormenting “Hum”.

DRIP DROP (UK Premiere)
Director: Jonna Nilsson. Cast: Siham Shurafa. Sweden, 2016. 8 mins.
A woman returns home to find there is no water in the house. Later that night, the water returns in the form of a steady drip.

JUDGEMENT (World Premiere)
Director: Sean Healy. Cast: Neil Maskell, Sura Dohnke. UK 2017. 5 mins.
Tom is getting on well with Ann, so well that she introduces him to her son, Jed. But Tom might be in for more than he had in mind….

CRESWICK (London Premiere)
Director: Natalie Erika James. Cast: Dana Miltins, Chris Orchard. Australia, 2016. 9 mins.
While a woman helps her father pack up his house, they are both increasingly aware of the presence that they always knew was there.

HELD DOWN BY A SHADOW (UK Premiere)
Director: Alex Peace. Cast: May Kelly, Katie Marie-Carter. UK 2017. 18 mins.
Scarlett hasn’t gone to bed with the light off in a very long time. But every night, she wakes up in the dark unable to move…and she’s not alone.

SMEAR (World Premiere)
Director: Kate Herron. Cast: Sophia di Martino, Isabella Laughland. UK 2017. 4 mins.
Chloe has to get a pap smear. Things are going to get messy.

 

SPECIAL SCREENINGS

THE DOLLHOUSE (World Premiere) Preceding CULT OF CHUCKY
Director: Kyra Gardner. Cast: Don Mancini, Brad Dourif. US 2017. 7 mins.
A filmmaker who grew up with the Chucky doll seeks out the other families surrounding the franchise to get their perspective on life with Chucky.

FLOW (European Premiere) preceding DHOGS
Director: Shelagh Rowan-Legg. Cast: Jamie Birkett, Lucy Clements. UK 2017. 5 mins.
When two women rebels are involved in a skirmish, they have more to argue about than the enemy…

 

Horror Channel FrightFest runs from 24th – 28th August 2017 at Cineworld Leicester Square and The Prince Charles Cinema.

Single tickets and passes are available to buy online: http://www.frightfest.co.uk/tickets.html

For full programme details and timetables go to: www.frightfest.co.uk

Follow: @frightfest

Please note that the event is called Horror Channel FrightFest 2017

All press enquires:
Greg Day @ Clout Communications
07889 861646 | greg@cloutcom.co.uk

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