Horror Channel FrightFest announces Glasgow Film Festival 2018 line-up

The WanderersThe Wanderers

Be prepared to feast on a chilling cornucopia of savage shocks, unsettling surprises and devilish delights as the UK’s favourite horror fantasy event returns to the Glasgow Film Festival for its 13th year, from Thurs 1 March to Sat 3 March 2018.

This year’s bold line-up, once again housed at the iconic Glasgow Film Theatre, embraces the latest horror, fantasy and sci-fi discoveries from ten countries, spanning four continents, reflecting the world-wide popularity of the genre.

GHOST STORIES remains one of the scariest stage shows ever seen and on Thursday night FrightFest kicks off with a special screening of Andy Nyman and Jeremy Dyson’s smash hit phenomenon. Starring Martin Freeman, Paul Whitehouse, as well as Nyman, this unforgettable screen adaptation terrifies in a whole new thrilling and chilling dimension. Jeremy and Andy will be attending. This is followed by the Scottish premiere of Brian O’Malley’s supernatural romance THE LODGERS, a masterful Irish set Gothic ghost story, starring Charlotte Vega and David Bradley.

Friday’s line-up lunges into vampiric action with the UK premiere of Dragos Buliga’s THE WANDERERS: QUEST OF THE DEMON HUNTER, an inspired modern twist on Transylvanian mythology. This is followed by the world premiere of writer/director Kelly Greene’s pastiche gem ATTACK OF THE BAT MONSTERS. If you liked The Love Witch, this is your new retro-perfect jam and Kelly will be in attendance. Next up is the UK premiere of THE RAVENOUS, writer/director Robin Aubert’s surreal and wickedly humorous addition to the Living Dead canon.

Cold SkinCold Skin

The 8.45pm presentation is the UK premiere of the powerfully gripping COLD SKIN. At the vanguard of French extreme cinema, director Xavier Gens made his name with Frontiere(s) and The Divide. Now he brings us a stunning adaptation of Albert Sánchez Piñol’s acclaimed novel that’s part H.P. Lovecraft, part Joseph Conrad and Xavier will be at the festival to discuss his film. Rounding off the evening is the European premiere of PRIMAL RAGE, a creature feature that blows the lid off traditional Bigfoot mythology. Special effects guru/director Patrick Magee has created an intelligent, cunning primitive warrior being guaranteed to terrify.

Getting the Saturday programme off to a demonically hellish start is the UK premiere of Paul Urkijo’s visually breath-taking fantasy THE BLACKSMITH AND THE DEVIL a vivid Basque fairy-tale, produced by Spanish legend Alex de la Iglesia, This is followed by the European premiere of supernatural chiller PYEWACKET, a beautifully paced, dread-filled study of occult belief by writer/director Adam MacDonald. Next up is the UK premiere of FRIENDLY BEAST, Gabriela Amaral Almeida’s intense shocker, which explores the latent evil within us all.

Climb on board for a fiendishly tense slay-ride as the evening programme kicks off with the UK premiere of director Adam Marcus’ savvy seasonal shocker SECRET SANTA. Marcus will be joined onstage by some of the cast and producers. Following this is the much anticipated UK premiere of TIGERS ARE NOT AFRAID, an unflinching South of the Border cautionary fable, an audacious mix of Pan’s Labyrinth and Narcos, which firmly announces director Issa López as a rising star of Mexico’s New Wave cinema.

This year’s global celebration of the genre ends on an adrenalin-fuelled high with the European premiere of Neil Mackay’s ultra-violent, action-packed thriller SIXTY MINUTES TO MIDNIGHT. Actor Arnold Sydney Junior and producer Frank Leraci will be in Glasgow to introduce the movie.

Alan Jones, FrightFest co-director, said today: “With our bold choices and the quality of programming, FrightFest is once again positioned to deliver at our beloved second home in Glasgow. It’s no surprise to us that the genre has just had its biggest and most successful year. If you’ve ever attended one of our events, you’ll know exactly why. For FrightFest will always create a communal space where the pure enjoyment of the occasion is paramount and a vital shared experience. Welcome to our Pleasure Dome, FrightFest- Glasgow-style”.

FrightFest Passes are £75 and available from noon on Mon Jan 15, 2018. Passes cover all films on Fri 2 March and Sat 3 March ONLY.

Tickets for GHOST STORIES and THE LODGERS, plus individual tickets for the Fri/Sat films are on sale Mon Jan 29 from 10am. Price: £10.50. £8.50 concessions.

To book tickets:
+44 (0)141 332 6535 / boxoffice@glasgowfilm.org / www.glasgowfilm.org/festival


Programme details

THURS 1 MARCH – GFT Screen 1

Ghost Stories - Martin FreemanMartin Freeman in Ghost Stories

21:00 GHOST STORIES (Special screening)

Professor Philip Goodman (Andy Nyman) is a renowned sceptic of the supernatural and clairvoyant. Given the opportunity to investigate three case histories of baffling paranormal activity, he uncovers mysteries beyond his own imagination leading to a shocking personal nightmare conclusion.

Directors Andy Nyman, Jeremy Dyson Cast Martin Freeman, Paul Whitehouse, Alex Lawther UK 2017, 1hr38m, 15+

23:20 THE LODGERS (Scottish Premiere)

Set in a rapidly changing 1920s society under the weakening grasp of British colonialism, orphaned twins Rachel (Charlotte Vega) and Edward (Bill Milner) share a strange existence in their crumbling family estate. For each night the property becomes the domain of a sinister presence enforcing three rules upon them; bed by midnight, no outsiders past the threshold, and any solo escape attempt puts the other twin in jeopardy. Now the curse is about to be tested by a troubled war veteran who is mysteriously drawn to Rachel.

Director Brian O’Malley Cast Charlotte Vega, David Bradley, Bill Milner, Eugene Simon Ireland 2017 1hr32m N/C 18+

FRI 2 MARCH – GFT Screen 1

13:30 THE WANDERERS: QUEST OF THE DEMON HUNTER (UK Premiere)

Louis (Armand Assante) is the most famous ghost and demon hunter in the world. The hardened American has travelled with Robert, an Israeli journalist (Lior Ashkenazi) to investigate a mysterious event that happened at the infamous Zalesky Castle, an imposing edifice towering over a village drenched in bloody history. Joined by a Romanian guide and a Korean television reality show team, the duo attempt to untangle the evil secrets lurking at the dark heart of this frightened community.

Director Dragos Buliga Cast Armand Assante, Lior Ashkenazi, Branko Djuric Romania 2017, 1hr46m, N/C 18+

15:50 ATTACK OF THE BAT MONSTERS (World Premiere)

Join schlock impresario Francis Gordon as his intrepid crew attempt to shoot an impromptu monster movie in the three days left over from the film they’ve just wrapped. From the Saul Bass opening title homage to its highly authentic, comic evocation of 1950s’ grade-Z grindhouse, this was lost when it was made in 1999. But ace restorer Mark Rance (who brought Tobe Hooper’s Eggshells to FrightFest 2010) found it and has lovingly refurbished it under writer/director Kelly Greene’s supervision.

Director Kelly Greene Cast Michael Dalmon, Maurice Ripke, Fred Ballard USA 1999 1hr 29m. N/C 15

18:30 THE RAVENOUS (Les affamés) (UK Premiere)

The zombie apocalypse has begun. But for the still-human residents of rural Quebec assistance of any governmental or community kind is zero. So lone survivors must figure things out for themselves, even if it means joining tentative forces and risking a hideous death…

Director Robin Aubert Cast Marc-André Grondin, Monia Chokri, Charlotte St-Martin Canada 2017, French with English subtitles, 1hr40m N/C 18+

20: 45 COLD SKIN (UK Premiere)

At the dawn of the First World War a young man named Friend (David Oakes) arrives at a desolate Antarctic Circle island to take the post of weather observer and where a race of amphibious humanoids emerge from the seas every night to besiege him and his rancorous lighthouse keeper companion, Gruner (Ray Stevenson). How much horror can the human heart endure?

Director Xavier Gens Cast Ray Stevenson, David Oakes, Aura Garrido Spain/France 2017 1hr48m N/C 18+

23:15 PRIMAL RAGE (European Premiere)

Lost deep in the forest of the Pacific Northwest, Ashley (Casey Cagliardi) and her ex-convict husband Max (Andrew Joseph Montgomery) are stalked by a terrifying creature the locals call Oh-Mah. Soon they find themselves forced to face nature’s harshness, a band of unsavoury hunters and become embroiled in a strange land of Native American legend turned absolutely real in their life or death battle.

Director Patrick Magee Cast Casey Gagliardi, Andrew Joseph Montgomery, Eloy Casados USA 2017 1hr46m N/C 18+

SAT 3 MARCH – GFT Screen 1
11:00 THE BLACKSMITH AND THE DEVIL (Errementari) (UK PREMIERE)

Ten years after Civil War in Spain 1833, orphan Usue (Uma Bracaglia) seeks escape from her abusive guardians and constant harassment from uncaring villagers. When her beloved doll is stolen, it ends up at the property of Patxi (Kandido Uranga) a lonely and feared blacksmith who is the keeper of a terrifying secret, a horrible truth that Usue innocently reveals.

Director Paul Urkijo Alijo Cast Kandido Uranga, Eneko Sagardoy, Uma Bracaglia Spain 2017. Basque with English subtitles. 1hr38min N/C 18+

13:15 PYEWACKET (European Premiere)

Confused and enraged for being forced to move away from school friends after her father dies, Leah (Nicole Muñoz) performs a blood incantation calling on an evil entity to punish her grieving mother. Immediately regretful, too late she realises she can’t reverse the ritual curse and an unholy presence now stalks them both in their rural home.

Director Adam MacDonald Cast Nicole Muñoz, Laurie Holden, Chloe Rose Canada 2017, 1hr27m, 15+

15:15 FRIENDLY BEAST (O Animal Cordial) (UK Premiere)

It’s nearly closing time at a struggling restaurant. Staff want to go home while the boss struggles with money troubles and a desire for more power in his life. Enter two robbers, the catalyst for a violent situation, which the boss is initially able to contain and gain the upper hand. Suddenly, the already dangerous and explosive situation turn deadly; sides are taken and people turn to the most abhorrent behaviour in an instant.

Director Gabriela Amaral Almeida Cast Murilo Benício, Luciana Paes, Irandhir Santos Brazil 2017 1hr38m Portuguese with English subtitles. N/C 18+

18:30 SECRET SANTA (UK Premiere)

The Pope family’s Christmas Eve dinner goes horribly and hilariously wrong when someone puts something in the party punch causing everyone to tell the unvarnished truth at the already dysfunctional holiday reunion. When the head of the household psychopathically freaks-out, the scene is set for murderous mayhem and splatterific revenge as the deviant relatives reveal their long-buried hatreds and festering loathings.

Director Adam Marcus Cast Michelle Renee Allaire, Petra Areskoug, Scott Burkett USA 2017, 1hr29m, N/C 18+

21:05 TIGERS ARE NOT AFRAID (Vuelven) (UK Premiere)

Thousands have been murdered or gone missing in the ongoing violent drug war in Mexico. The result is many orphaned children living on the streets caught in the unceasing cartel crossfire. In her third work of immense beauty, pain, fear and joy, writer/director Issa López tells the magical story of five such urchins making the best of their daily struggle to survive.

Director Issa López Cast Paola Lara, Hanssel Casillas, Rodrigo Cortes Mexico 2017, Spanish with English subtitles, 1hr23m N/C 18+

23:00 SIXTY MINUTES TO MIDNIGHT (European Premiere)
It’s New Year’s Eve 1999 and former soldier Jack Darcy (Robert Nolan) wakes to find himself mysteriously entered into a murderous new TV game show. He has sixty minutes to kill or be killed by a group of strange armed men who’ve surrounded his house. But what his would-be assassins haven’t realised is that Jack has learnt a few tricks from his military days. He has a hidden bunker full of weapons and he isn’t going down without a vicious fight!

Director Neil Mackay Cast Robert Nolan, Arnold Sidney, Terry McDonald Canada 2017, 1hr23m, N/C 18+.

For further information: www.frightfest.co.uk
Images: http://cloutcom.co.uk/picture-gallery/gallery/frightfest-glasgow-2018/

All press enquires:
enquiries@cloutcom.co.uk
@cloutcomcouk


Notes to editors:

ABOUT FRIGHTFEST

Dubbed “the Woodstock of Gore” by director Guillermo Del Toro, FrightFest was created in 2000 by film producer Paul McEvoy, journalist and broadcaster Alan Jones and film distributor/booker Ian Rattray. Greg Day, the festival’s long standing PR, became a joint director in 2007. From its cult roots at the Prince Charles Cinema it has grown to become one of the genre’s most vibrant, credible and recognisable brands, helping to launch the careers of directors such as Simon Rumley, Christopher Smith, Eli Roth, Neil Marshall and Simon Hunter. Apart from the annual 5-day event in London, FrightFest has an ever-growing strand at the Glasgow Film Festival, hosts a Halloween Horrorthon and showcases special screenings throughout the year. It has teamed up with Icon Films Distribution to release FrightFest curated films under the banner ‘FrightFest Presents’ and publishes a series of books in association with publishers FAB Press, including THE FRIGHTFEST GUIDE TO EXPLOITATION MOVIES and THE FRIGHTFEST GUIDE TO MONSTER MOVIES.

ABOUT GLASGOW FILM FESTIVAL

The fourteenth annual Glasgow Film Festival will run from 21 February – 4 March 2018. The full programme will be launched on the evening of 24 January, with tickets on sale to GFF members and GFT CineCard holders from 12noon on 25 January and then on general sale from 10am on 29 January. GFF Membership is available to buy now for only £10, offering four days of advance booking, and discounts. See www.glasgowfilm.org/gffmembership for full information. Existing GFT CineCard members will automatically have GFF membership.
Notable guests visiting the festival in recent years have included Richard Gere, Alan Rickman, Joss Whedon, Terry Gilliam, John C Reilly, Saoirse Ronan, Richard Dreyfuss, Jonathan Glazer, Richard Johnson, Gemma Arterton, Ben Wheatley, David Tennant, Cliff Curtis, David Robert Mitchell, Carol Morley, Gemma Jones, Jason Priestley, Neil Jordan, agnés b., Armando Iannucci, Jack O’Connell, Dexter Fletcher, Peter Mullan, George Sluizier, Peter Capaldi, Ty West, Richard Ayoade, Eli Roth and Jean-Pierre Jeunet. The 2017 festival featured the red carpet world premiere of David Tennant’s Mad To Be Normal and logged over 41,000 admissions, cementing its reputation as one of Europe’s major film festivals.

www.glasgowfilm.org/festival

For information specifically relating to Glasgow Film Festival, please contact:
Ruth Marsh: ruth.marsh@glasgowfilm.org +44(0) 141 352 8615

Andy Nyman & Jeremy Dyson join judges panel for FrightFest & Glasgow Film Festival‘s 90 Second Film Challenge

FrightFest 90 Second ChallengeGHOST STORIES writer and director team Andy Nyman and Jeremy Dyson will join Hex Studio’s Lawrie Brewster, FrightFest’s Paul McEvoy and Glasgow Film Festival head honcho Allison Gardner on the judge’s panel for the FrightFest Glasgow 90 Second Challenge.

Aspiring filmmakers living in Scotland are invited to create an entertaining Horror, Sci-Fi or Fantasy film within just 90 seconds.

Films must be shot in Scotland by Scottish residents and entries must not currently be available online. All submissions are free and must be received by Tuesday 13th February 2018. Filmmakers of entries selected to be screened will be notified by 23rd February 2018.

Here’s where to apply and read terms and Conditions:
http://www.frightfest.co.uk/90-second-challenge.html

The winning shorts will be screened both at the Horror Channel FrightFest Glasgow Film Festival event, held at the Glasgow Film Theatre on the 2nd/3rd March 2018 and FrightFest’s London event in August 2018.

Can you make a short film scary or surprising in 90 seconds? The challenge is ON!

Follow: @FrightFest | @glasgowfilmfest

Press contact:
Greg Day | Clout Communications

FrightFest & Glasgow Film Festival send out challenge to aspiring Scottish filmmakers

FrightFest 90 Second ChallengeFrightFest, in association with Glasgow Film Festival, are delighted to announce an exciting new initiative to discover the next wave of emerging Scottish talent.

FrightFest has always championed new film-makers since its inception in 2000. Now, for the very first time they are encouraging talent to rise to the challenge of creating something within just 90 seconds.

The winning shorts will be screened both at the Horror Channel FrightFest Glasgow Film Festival event, held at the Glasgow Film Theatre on the 2nd/3rd March 2018 and FrightFest’s London event in August 2018.

The rules for submission are that films should be no longer than 90 seconds and be in the Horror, Thriller, Science Fiction or Fantasy genres. Films must be shot in Scotland by Scottish residents and entries should not currently be available online. All submissions are free and must be received by Tuesday 13th February 2018. Filmmakers of entries selected to be screened will be notified by 23rd February 2018.

Can you make a short film scary or surprising in 90 seconds? The challenge is ON!

FrightFest Co-Director Paul McEvoy said today: “The FrightFest event at the Glasgow Film Festival is always one of the highlights of the FrightFest cinematic year. For our 2018 event we are thrilled to announce our 90 SECOND CHALLENGE. We hope to discover new and vivid film talent from Scotland and to give the winning creators significant exposure to our international audience.”

Allison Gardner, Programme Director / GFF Co-Director added: “FrightFest is always a major part of the Glasgow Film Festival and we’re delighted to be able to work with them to support the Scottish horror maestros of the future. We’re looking forward to seeing what spine-tingling mini-masterpieces our talented local filmmakers come up with and screening them on the big screen at GFT as part of the 2018 festival”.

To enter please visit www.frightfest.co.uk

Follow: @FrightFest | @glasgowfilmfest

Horror Channel brings in New Year with Wes Craven season

Wes Craven Season Logo

Throughout January, Saturday nights at 9pm will be devoted to a WES CRAVEN SEASON as Horror Channel presents a retrospective of the late great genre director’s career.

Four of his supernatural shockers and scream-filled slashers wlll be broadcast, including the network premieres of serial killer chiller MY SOUL TO TAKE, his macabre masterpiece THE SERPENT AND THE RAINBOW, his diabolically electrifying SHOCKER and the goofy, gory satire THE PEOPLE UNDER THE STAIRS.

There are also network premieres for Franck Khalfoun‘s superior psychological horror MANIAC, starring Elijah Wood as a scalp-loving serial killer, David S. Goyer’s pulsating possession thriller THE UNBORN, starring Gary Oldman and Hammer Films’ powerfully eerie Vampire tale THE KISS OF THE VAMPIRE.


WES CRAVEN SEASON

Sat 6 Jan @ 21:00 – THE SERPENT AND THE RAINBOW (1988) *Network Premiere

The Serpent & The Rainbow

Horror master Wes Craven directs this chilling supernatural thriller, based on the best-selling book by Wade Davis, about a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he is caught in a living nightmare.

Sat 13 Jan @ 21:00 – SHOCKER (1989) *Network Premiere

Shocker

Horace Pinker (Mitch Pileggi), a psychotic TV repairman sentenced to death for a series of sick and brutal murders, is executed by the electric chair. However, having made a deal with the devil before his death, he has now transformed into an evil energy source capable of travelling through electrical currents and creeping out of TV sets to hack small town America into tiny, little pieces.

Sat 20 Jan @ 21:00 – THE PEOPLE UNDER THE STAIRS (1991) *Network TV Premiere

The People Under The Stairs

With the hopes of stealing a stash of gold, 13-year-old Fool (Brandon Adams) breaks into his landlords’ creepy house with two friends. Things soon go horribly wrong as the trio finds they can’t get out! Soon the landlords (Everett McGill and Wendy Robie) return, and Fool and his friends uncover a horrible secret: cages of deformed children kept in captivity under the stairs!

Sat 27 Jan @ 21:00 – MY SOUL TO TAKE (2010) *Network Premiere

My Soul To Take

In the small town of Riverton, a local legend tells of a serial killer’s oath to come back and kill the seven children who were born on the night he supposedly died. Now, sixteen years later, Riverton residents are disappearing again, and some wonder if the legend is true. Bug (Max Thieriot), plagued by nightmares all his life, is one of the so-called ‘Riverton Seven’, and it’s up to him to save his friends from an evil that will not rest.


OTHER FILM PREMIERES

Fri 12 Jan @ 21:00 – THE UNBORN (2009) *Network Premiere

The Unborn

Sometimes the soul of a dead person has been so tainted with evil that it is denied entrance to heaven. It must endlessly wander the borderlands between worlds, desperately searching for a new body to inhabit. And sometimes it actually succeeds. Writer/director David S. Goyer and producer Michael Bay give a terrifying glimpse into the life of the undead in this supernatural thriller starring Meagan Good, Cam Gigandet, Odette Yustman, Gary Oldman and Idris Elba.

Fri 19 Jan @ 23:05 – MANIAC (2012) *Network Premiere

Maniac

Just when the downtown Los Angeles streets seemed safe, a serial killer with a fetish for scalps is back on the hunt. Frank (Elijah Wood) is the withdrawn owner of a mannequin store, but his life changes when young artist Anna (Nora Arnezeder) appears asking for his help with her new photo exhibition. As their friendship develops and Frank’s obsession escalates, it becomes clear she has unleashed a long-repressed compulsion to stalk and kill.

Fri 19 Jan @ 22:50 – THE KISS OF THE VAMPIRE (1963) *Network Premiere

Kiss Of The Vampire

Honeymooning in Bavaria, Gerald (Edward de Souza) and Marianne Harcourt (Jennifer Daniel) experience car trouble and are forced to seek refuge in a remote village. Doctor Ravna (Noel Willman), owner of an impressive chateau that sits imposingly above the village, invites them to dinner and the couple are persuaded to go. Their association with Ravna and his charming beautiful family is to prove disastrous as they become unwittingly embroiled with a company of vampires who seek to initiate them into their diabolical creed.


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Hex Media announces new dedicated UK Horror Studio

Hex Studios

Hex Media, the outfit behind Lord of Tears, The Unkindness of Ravens and The Black Gloves, today announced they are to establish Hex Studios, the UK’s only dedicated genre studio, committed to developing, producing and distributing horror and fantasy content, with a focus on bold, original storytelling, and nurturing diverse voices in the genre.

Having acquired a historic Gothic revival church in Fife, Scotland as their base, Hex plan to develop both a studio company and production space which will house a green screen studio, sound recording facilities and special effects workshop, as well as serving as a hub for the genre with regular events and screenings.

First on the Hex Studios slate is horror anthology For We Are Many, featuring segments from up-and-coming filmmakers from around the world. The feature-length film is to star horror legends Eileen Dietz (The Exorcist) and Laurence Harvey (The Human Centipede II) with many more to be announced.

Legendary filmmaker Roger Corman, a supporter of the new venture, said today: “Hex Studios is an ambitious new project which aims to rekindle the spirit of classic horror cinema, and gives me hope for the future of original, independent filmmaking.”

Hex Studios is the brainchild of Hex Media founder and producer/director Lawrie Brewster who will head the project along with partner Sarah Daly and co-founders Richard Pate, Nick Ford and Bill Eikost.

According to Lawrie Brewster, “Hex Studios is inspired by the glory days of Hammer Horror at Bray Studios. It’s more than just a physical production space or a studio company, it’s a grass-roots movement that seeks to pursue a revolutionary approach to the art and business of filmmaking.”

Hex Media partner, writer/producer Sarah Daly added: “We want to foster a resurgence in the great British tradition of horror filmmaking, as well as providing opportunities for aspiring writers, actors and filmmakers in Scotland and all over the world.”

THE EVIL IN US &, P2 receive their UK TV premieres on Horror Channel in December.

Plus FrightFest hits THE LESSON & SOME KIND OF HATE get network premieres

The Evil In Us
The Evil In Us

Christmas nightmares come early on Horror Channel, as the UK’s primary TV destination for genre fans serves up the UK TV premieres of Jason William Lee’s slick and stylish modern take on the zombie virus, THE EVIL IN US and Frank Khalfoun’s boundary-pushing crime slasher P2, starring Wes Bentley.
There are also network premieres for Adam Egypt Mortimer’s deeply-cutting supernatural revenge chiller SOME KIND OF HATE, Ruth Platt’s astonishingly bravura art-house horror THE LESSON, Travis Oates’ powerfully disturbing thriller DON’T BLINK, starring Mena Suvari ,and Glen Morgan’s gruesome BLACK CHRISTMAS, a remake of the classic 1974 seasonal slasher, starring popular scream queen Mary Elizabeth Winstead.

PLUS…LOST IN SPACE is proving a massive hit on the channel and Season 3 of the classic Sci-fi series once again transports us back to our favourite cosmic family from Tues 26th December, weekdays at 8pm.

Full film details in transmission order:

Fri 8 Dec @ 23:00 – SOME KIND OF HATE (2015) *Network Premiere

Some Kind Of Hate

What if your past came back for you as a fully formed, physical thing that was going to kill you? Tightly wound Lincoln is a favourite target for the local high school bullies. One day he violently snaps and is sent to the Mind’s Eye Academy, a remote desert reformatory. But the harassment doesn’t stop and in despair he accidentally summons the kindred spirit of Moira, a girl tormented to suicide in the same establishment, who is more than happy to take vengeance on his persecutors.

Sat 9 Dec @ 22:45 – THE LESSON (2015) *Network Premiere

The Lesson

Fin and Joel are two teenage wasters running wild in an arid rural landscape. But their bad education is about to take a turn for the intellectual best as someone at the end of their tether has decided to teach both schoolboys a lesson they will never forget. A dark, claustrophobic and bloody coming of age love story with a shock final destination. Stars Robert Hands, Evan Bendall, Michaela Prchalová and Rory Coltart.

Fri 15 Dec @ 21:00 – THE EVIL IN US (2016) *UK TV Premiere

Six school friends meet up for a fourth of July celebration on a remote island expecting a harmless fun-filled weekend. One brings some cocaine along to get the partying really started. What they don’t know is the drug is actually a new bioactive compound peddled by a sadistic right-wing terrorist organisation. Anyone consuming it is then exposed to a virus causing fits of psychotic rage, mind-bending chaos and cannibalistic murder. Only Brie refused to partake and now she must fight to survive as everyone around her, including her fiancé, tries to savagely kill her.

Sat 16 Dec @ 21:00 – DON’T BLINK (2014) *Network Premiere

Don't Blink

Ten friends arrive at a remote mountain resort for a weekend of relaxation but find it deserted. As they attempt to discover out what happened to the other guests, they are horrified to find that they too are disappearing, one by one. Stars Mena Suvari, Brian Austin Green, Joanne Kelly and ZackWard.

Fri 22 Dec @ 22:40 – P2 (2007) *UK TV Premiere

P2

It’s Christmas Eve. Angela Bridges (Rachel Nichols), an ambitious executive, is supposed to be at a family gathering working late. When she gets down to the parking garage, she discovers that her car won’t start. Thomas (Wes Bentley), a friendly security guard, offers to help, but when he also invites her to share a small Christmas dinner he’s preparing, she doesn’t realise the invitation is not optional. If Angela wants to live to see Christmas morning, she must find a way to escape from level P2 of the parking garage.

Sat 23 Dec @ 21:00 – BLACK CHRISTMAS (2006) *Network Premiere

Black Christmas

It’s Christmas break and the phone won’t stop ringing at one sorority house, where the ghost of a killer lurks and coeds are being systematically murdered one by one. In this remake of the 1974 slasher flick, a bloodthirsty psychopath is on the loose. Will sorority sisters Kelli (Katie Cassidy), Dana (Lacey Chabert), Lauren (Crystal Lowe) and the others escape with their lives? Jessica Harmon, Michelle Trachtenberg and Andrea Martin co-star.

Horror Channel

Sky 319 / Virgin 149 / Freesat 138 / Freeview 70

www.horrorchannel.co.uk | twitter.com/horror_channel | facebook.com/horrorchannel

Press enquiries:
Greg Day, Clout Communications
07889 861646

ZOMBIE SPRING BREAKERS (aka IBIZA UNDEAD) gets US release in 76 Cinemark theatres on Nov 2.

Zombie Spring Breakers - PosterPremiere in LA with actress/producer Marcia do Vales in attendance

Marcia Do Vales, who, as Maria, kick-asses her way through Brit zomcom Ibiza Undead, will represent the film at its LA premiere on Thurs 2 Nov, which is hosted by US Film Studio & Distributor, The Asylum.

Now called ZOMBIE SPRING BREAKERS, Brazilian-born Marcia do Vales, who is about to shoot the leading role in supernatural thriller QUAIL HOLLOW, says: “I loved being part of this film, so am really pleased to have the opportunity to attend the US premier. With So few independent British films getting a theatrical release in the US it’s a real testament to the hard work that we put in to make this film something truly fun for the zombie fans everywhere!”

 


Here’s the trailer: https://youtu.be/bBh89dEl9Xo

Production details of QUAIL HOLLOW, directed by Spaniard Javier De Prado, and produced by UK’s Templeheart Films, will be announced soon, as will further news of Paul Hyett’s HERETIKS, which Marcia co-produced. Marcia is also currently prepping The Foreseen, a twisted haunted house thriller, to be directed by Anthony Melton and Ben Franklin.

Marcia Do Vales

Press contact and interview requests:
Greg Day
Clout Communications
07889 861646

Exclusive interview with TERRIFIER director Damien Leone.

Damien Leone

Q: Art The Clown initially appeared in your 2008 short THE 9th CIRCLE, then the 2011 award-winning short TERRIFIER and in your first feature ALL HALLOW’S EVE. What made you decide to give him a fourth outing?

DAMIEN: Up until this point I never felt like I fully showcased Art’s potential. I believe between the short films and All Hallows’ Eve, there only exists about 20 minutes of Art the Clown screen time. For a character who’s done so little, he seems to really resonate with horror fans. After all of the positive feedback, a full length film that focused solely on Art was inevitable.

Q: Art has a very twisted personality – he’s both brutal (his silence adding to his deadliness) and comical but not without some subtle pathos. How difficult was it to strike that balance?

DAMIEN: In all honesty, I never intended to evoke any sort of pathos from his character. I do find that interesting and maybe there is something to that but the brutality and twisted personality was always intentional from the get-go as was the subtle comedy. Although I’m a huge fan of some horror comedies like Return of The Living Dead or Evil Dead 2, it’s not a style I strive for in my own films. I always shoot for a more serious tone but ironically, the comedy in Terrifier was very organic and almost wrote itself. I should be clear and say the intentional comedy in Terrifier only comes from the Art the Clown character himself. He’s always had a sick sense of humour from the very beginning but this time I tried to take it a little further whereas after every unspeakable act of violence he commits, he follows it with something comical like a facial expression or a quirky gesture. This does two things, it gives the audience a chance to relieve some tension but it also makes Art more demented when we realize just how much fun he’s having at his victim’s expense.

Art The Clown

Q: You’ve said that you set out to make Art as violent as possible. Why?

DAMIEN. This basically comes from the fact that I’m a special effects artist. I knew the effects would be one of our strong suits going into the film since I can do a lot on a very limited budget. There is so much content out there right now and I believe that if you want to stand out, it doesn’t hurt to show things that will really grab the audience’s attention and get them talking. It’s 2017; there’s been thousands of horror movies. I mean how many times can you show a knife cutting through the air followed by a shot of blood hitting the wall? Almost everything has been done to death (pun intended) so I feel I have a duty to the audience to present them with stuff that hasn’t quite been seen before or if it has, to do it in a way that feels fresh.

Q: David Howard Thornton is terrific as Art. How did you two meet and bond? And how challenging was it, given Art had previously been played by Mike Giannelli.

DAMIEN. Finding a new actor to play Art was by far the most crucial and nerve-wracking aspect of this film. Everything people loved about Art was a testament to how Mike Giannelli portrayed him and now I had to start from scratch. Very frightening indeed. But as luck would have it, David came in for an audition one day and my producer and I immediately knew this was our guy. David pantomimed the act of stabbing someone to death and sawing their head off with great exuberance and glee. He’s also extremely animated, tall and thin. I always envisioned Art to be of a more slender build and I was excited to see what little quirks and nuances David could bring to the character. Working with David was a total delight from start to finish. We bonded immediately thanks to the countless hours in the makeup chair. Dave will joke and tell stories as I transform him into Art over the course of approximately three hours. We had to repeat this process well over 20 times during the shoot.

Q: The film has a very dark 70s/80s tone and the narrative is stripped down to the bone. What influences were at play here?

DAMIEN. The main objective was to keep it as close to the 20 minute short film as possible. The short film was a no holds barred, relentless, 70s-style grind house flick that was made to feel like an intense rollercoaster ride. That’s actually how I came up with the title Terrifier. To me “Terrifier” was more a reflection of the film as an experience and didn’t necessarily have anything specific to do with the characters or story. People responded so positively to the short film that I figured the best plan of attack would be to just make an 80 minute version of the 20 minute short. Essentially this would mean taking the best parts of a slasher film and eliminating as much of the filler as possible.

Art The Clown

Q: With all the attention given to IT and Pennywise, does this tempt you even further to establish Art as a franchise and make more TERRIFIER films?

DAMIEN: Absolutely. Although we finally gave Art his own movie, we’ve only just scratched the surface. Now we have to dig a little deeper into his backstory. He has a ton of potential and I can see needing at least a couple of films to tell his full story. It’s too premature to say but numerous people have said he has the making of a horror icon. If this continues to be the case once Terrifier is released, it would be downright disrespectful to the character and to the fans to not produce more; just as long as we maintain some integrity and never jump the shark.

Q: All your films are set on Halloween night. Are you a fan of Halloween? Do you have a favourite Halloween / clown story?

DAMIEN. I am a huge fan of Halloween but the main reason I set Art the Clown’s films on Halloween is so it’s acceptable for a man to be walking the streets while dressed as a clown. This at least enables his victims to lower their guard around him when they first cross his path. If it was a hot August night and a mute clown sat across from you in a pizzeria, I think the cops would be called immediately. I do in fact have a personal Halloween story that stands out and I’ll try to make it quick. One night a few friends and I were driving home from a Halloween party and we passed a car on the side of the road that was turned completely on its side against the guard rail. We immediately pulled over and approached the vehicle. Two young women were inside the car. Apparently, the driver was drunk and fell asleep at the wheel. Thankfully, by some miracle, both girls were perfectly fine aside from being dazed and frightened but what makes this story worth telling is seeing my friend who’s 6’4 leap on top of the turned over car in full Spider-Man attire and pull the young women to safety. Surreal moment indeed.

Q: Who do you most admire in the horror genre?

DAMIEN. This is a very difficult question because I can throw around countless names and ramble on and on for hours but I must say I would not be where I am today if it wasn’t for the makeup effects maestro Tom Savini. When I was around 6 or 7 years old I stumbled upon a VHS tape called Scream Greats that changed my life. It was a documentary on Savini and it was the first time I saw how monsters were created. This video and also the making of Michael Jackson’s Thriller with Rick Baker really left an impression on me. I was fascinated by seeing people transformed into creatures. For years I would rent these films over and over but when I was around 12 years old, I finally owned a copy of Scream Greats. This time I actually began experimenting. My mother took me to a horror convention where I actually bought my first makeup kit, a 12oz bottle of mint flavoured blood and a real machete (dulled) with a semi-circle cut out of the blade. This is a classic Savini gag that he’s used in several movies. It creates the illusion that the machete is actually buried in your flesh when you place it against the skin or on top of your skull. As soon as I got home, I tried out all of my new goodies on my friends and myself. Savini introduced me to blood tubes, mortician’s wax, things that were more accessible to someone starting out. Soon I started filming the effects with a camcorder and eventually I began making my own little short films; which is how I became interested in the grander aspect of filmmaking. But even though as a filmmaker I’m influenced by countless artists from all genres, I really have to thank Savini for being the first person to show me the magic of filmmaking.

Q: Zombies or vampires?

DAMIEN. Very tough question. Zombies frighten me more than vampires. My favourite horror film of all time is Romero’s Dawn of the Dead and my dream project is an epic zombie film but The Lost Boys holds such a special place in my heart. I saw it in the theatres when I was literally 3 years old and it had such a profound effect on me. It’s one of my absolute favourites till this day and because of it, I love vampires so much. So to answer your question, I can’t choose.

Q: Finally, what’s next?

DAMIEN: There are a few awesome projects that I’d love to tackle but I think it would be foolish to sleep on the inevitable Terrifier sequel. Clowns are so hot right now because of IT and more and more people are starting to dig Art the Clown on a daily basis so I think we should strike while the iron’s hot before the killer clown sub-genre goes into hibernation for another 20 years.

TERRIFIER receives its UK premiere at Horror Channel FrightFest Halloween 2017 on Saturday 28 Oct, Empire Haymarket, 11.00pm.
Tickets: http://frightfest.nutickets.com/

VAULT OF HORROR – THE ITALIAN CONNECTION To be unleashed on Dec 8

Demon Records

News release
VAULT OF HORROR – THE ITALIAN CONNECTION
To be unleashed on Dec 8

20 Classic tracks from the golden era of Italian Horror, featuring composers including STELVIO CIPRIANI, FABIO FRIZZI & ENNIO MORRICONE, with extensive biographical notes on each track by FrightFest’s ALAN JONES

Vault Of Horror - Cover

The golden era of Italian horror dates from the early 60’s to the mid 80’s. During that time directors such as Mario Bava, Dario Argento, Lucio Fulci, Antonio Margheriti, Umberto Lenzi, Joe D’Amato, and Enzo. G. Castellari directed some of the most outrageous terror films ever. As well as depicting some of the most stylish and horrific on screen images their films included some of the most elegant and beautiful scores. The cult following for their movies is as popular now as it’s ever been.

VAULT OF HORROR – THE ITALIAN CONNECTION presents twenty of the most amazing film themes ever and is a heady mix of funk, disco, electronic and prog rock. It features composers such as Stelvio Cipriani, Franco Micalizzi, Roberto Donati, Carlo Rustichelli, Nico Fidenco, Ennio Morricone, Fabio Frizzi, Riz Ortolani and many more. There are also original soundtrack themes from such films as ‘Zombie Flesh Eaters’, ‘Cannibal Ferox’, ‘Blood And Black Lace’, ‘The Beyond’, ‘The New York Ripper’, ‘Tentacles’ and ‘City Of The Living Dead’.

The truly stunning, exclusive sleeve has been painted by renowned graphic designer & commercial artist Graham Humphreys and the biographical notes on each track are written by author, critic and FrightFest director Alan Jones. As an added bonus Demon Records are including a CD version in a replica card wallet as well as a stunning 12×12” reproduction collector’s art print of the sleeve painting.

Soundcloud: http://bit.ly/2xfgJaU

Trailer: https://youtu.be/vgV6gnqx0nk

Facebook: https://www.facebook.com/vaultofhorror1

Buy link: http://amzn.to/2zssh9m

CATALOGUE NO: DEMREC237
RELEASE DATE: 8th December 2017
FORMAT: 2 x 180G black vinyl with CD & 12×12 art print
CATEGORY: Soundtracks
BARCODE: 5014797896345


TRACKLISTING

DISC 1 SIDE A
Carlo Rustichelli – ‘Atelier (totoli)’ from ‘Blood And Black Lace ‘(‘Sei Donne Per L’Assassioni)’
Franco Micalizzi – ‘Seq 1’ from ‘The Last Hunter’ ‘(L’Ultimo Cacciatore)’
Nico Fidenco – ‘Seq 6’ from ‘Porno Holocaust’
Roberto Donati – ‘Main Theme’ from ‘Eaten Alive’ ‘(Mangiati Vivi!)’
Francesco De Masi – ‘New York One More Day’ from ‘The New York Ripper’ ‘(Lo Squatatore Di
New York)’

DISC 1 SIDE B
Franco Micalizzi feat. Warren Wilson – ‘Bargain With The Devil’ from ‘Beyond The Door’ ‘(Chi Sei)’
Stelvio Cipriani – ‘Small Town Pleasures’ from ‘Tentacles’ ‘(Tentacoli)’
Roberto Donati – ‘NYC Main Title’ from ‘Cannibal Ferox’
A. Blonksteiner – ‘Apocalypse’ from ‘Cannibal Apocalypse’ ‘(Apocalypse Domani)’
Carlo Maria Cordio – ‘Absurd’ from ‘Absurd’ ‘(Rosso Sangue)’

DISC 2 SIDE C
Fabio Frizzi – ‘Main Theme’ from ‘Zombie Flesh Eaters’ ‘(Zombi 2)’
Fabio Frizzi – ‘Mystery’s Apotheosis’ from ‘City Of The Living Dead’ ‘(Paura Nella Citta Dei Morti Viventi)’
Fabio Frizzi – ‘Voci Dal Nula’ from ‘The Beyond’ ‘(L’Aldila)’
Walter Rizatti– ‘I Remember’ from ‘House By The Cemetery’ ‘(Quella Villa Accanto Al Cimitero)’
Stefano Mainetti – ‘Main Theme’ from ‘Zombie Flesh Eaters 2’ ‘(Zombi 3)’

DISC 2 SIDE D
Walter Rizatti – ‘Main Theme’ from ‘Bronx Warriors’ ‘(1990: I Guerrieri Del Bronx)’
Claudio Simonetti – ‘Nuke Is Over’ from ‘The New Barbarians’ ‘(Nuovi Barbari)’
Riz Ortolani – ‘The Fighter Centurions’ from ‘Rome 2033 – The Fighter Centurions’ ‘(I Guerrieri Dell ‘Anno 2072)’
Ennio Morricone – ‘End Theme’ from ‘Holocaust 2000’
Nico Fidenco – ‘I Celebrate Myself’ from ‘Emanuelle In America’


Alan Jones is available for press/radio interviews (excluding October 18 – 25).

For more information, please contact:
Lidia Pini lidia.pini@demonmusicgroup.co.uk or David.Akerman@DemonMusicGroup.co.uk.

www.demonmusicgroup.co.uk

Exclusive interview with HOSTILE director Mathieu Turi.

Q: You were born in Cannes so you grew up with film all around? When did you know for sure you wanted to direct?

I think it’s always been there. As a child, I used to steal my dad’s VHS camera to make mini-movies. They were basically all about my Jurassic Park toys eating my dog or invading the garden. Later, I did more elaborate short films with friends, instead of studying. Then, I remember watching BRAVEHEART and the making of the movie. For the first time, I knew that directing was something I wanted to do for a living.

Q: You have been second unit director and assistant director on numerous major blockbusters – SHERLOCK HOLMES 2, INGLORIOUS BASTARDS, G.I. JOE – what was the movie or director you feel you learnt most from?

Tarantino, with no hesitation. ‘INGLORIOUS BASTARDS was one of my first jobs in the movie business, and I was assistant of the assistant of the assistant. But when you work on the set of someone you admire, It’s very special. I learnt that you have to love what you do, and as a director, you have to stay focused on the actors and the scene. Nothing else matters. Working for Quentin Tarantino was my best set experience as an A.D.

Q: What inspired the HOSTILE script?

A lot of stuff. HOSTILE is a kind of mix between my two shorts (SONS OF CHAOS and BROKEN). The first is a post-apocalyptic, very low-budget movie, and the second is a romance in an elevator. And If you talk about exterior inspirations, I would say the main one is I AM LEGEND, the Richard Matheson book. It’s my favourite book ever, a masterpiece. I read it twice a year, and it’s never the same feeling. Also, I’m a huge fan of the video game THE LAST OF US. It has everything : a perfect story, focused on characters but in an original post-apocalyptic context, with never seen creatures, and the end is magic. I’s love to see a movie adaptation of it, but It would be tricky.

Q: HOSTILE was executive produced by Xavier Gens and stars Brittany Ashworth from his new movie THE CRUCIFIXION. Can you talk about his influences and that of recent extreme French genre titles?

Xavier is a good friend of mine, and also my mentor since the beginning. He’s the one who presented me to FullTime Films producers (Thomas Lubeau, Eric Gendarme and Olivier Chateau) as they were looking for projects. We all met at the Cannes film fest in 2015, and two years later, here we are! He also helped us to find Brittany Ashworth, as he had worked with her on THE CRUCIFIXION. HOSTILE is not influenced by any of them, but I’m very happy that all those movies got made. You know, in France, It’s not easy to do that kind of extreme genre movie.

Q: HOSTILE builds to a wonderful emotional epiphany. Was the story all about leading to that rare moment in zombie movies?

It’s the first scene that came to my mind before writing the script, and without spoiling it, it was also the best moment on set. It was just magical – the natural light at that exact time (D.O.P’s calls it the “magic hour”).The team was speechless, and in my mind, I knew It worked. Often, as a director, you have to wait to be in the editing room to be hundred percent sure a scene works, but for that one, I knew on set.

Q: None of this would work unless you cared about the characters, especially Juliette. Did her back-story change through successive drafts of the screenplay?

Not complete scenes, but dialogue and actions changed a lot. I’m a very collaborative director with my actors, and I want them to dig into the characters, try stuff, fail sometimes, but always try to go further. And they did, every time. Juliette’s backstory has been completed by Brittany. I gave her some intentions, but asked her to find a personal story, why she came to New-York and what happened in the first years of her post-apocalyptic life. We talked a lot about it, very detailed stuff that only her and I know. Actually, we could easily do a prequel about it!

Q: We love Grégory Fitoussi in the UK because of the French law and order drama SPIRAL. Was that a reason for casting him as Jack?

I really wanted someone with a true charisma. Grégory is one of those guys. He could just walk in the room and you feel it. It’s a very rare power. And also, we worked a lot together on the character, to keep his French touch intact, but not fall in the cliché. Jack needed to be very confident, strong and mysterious. He’s the entire reason for the flash-backs, so we had to keep in mind that Juliette felt secure with him, and that’s what she doesn’t have any more in the present.

Q: And we also love Javier Botet who seems to be in so many movies at the moment. What did he add to his Living Dead role that no one else could have?

Two things: the first is obvious, and that’s why he’s in all those movies. (REC, MAMA, ALIEN:COVENANT, IT). He has an incredible body, and he uses it like magic. When you see him working, it’s just insane. The movements he performs, the way his thin body moves. He’s a piece of art. The second thing: he’s a very good actor, and that’s vital for that kind of role. You can’t imagine how hard it is to express yourself under the makeup. And Javier does it perfectly.

Q: Your feature debut; what was the biggest learning curve you hadn’t expected?

That you have to sleep an entire month to get back on your feet! More seriously, I would say It was very hard to go from one team to another, as our shoot was only 24 days, in three different continents. So we had the New-York Unit, the Morocco Unit and the Paris Unit, with different crews, productions offices, preps, etc… But on the other hand it has been an incredible adventure, and I had the chance to work with all those amazing people.

Q: Will you always stay in horror or is it a stepping stone to other genres? Can you tell us what you’re working on at the moment?

HOSTILE is kind of a two genre movie, I just love to cross lines. But I love horror, sci-fi, thrillers… And I’m working on a very crazy project right now. It should be official soon, but I just can say that it’s a sci-fi-fi/horror movie with a unique concept. We are in the casting phase right now, with the same producers at FullTime Films, and we will shoot it next spring. I can’t wait to talk about it, and I hope we will see each other again at FrightFest next year to show it!

HOSTILE receives its UK premiere at Horror Channel FrightFest Halloween 2017 on Saturday 28 Oct, Empire Haymarket, 12.05pm.
Tickets: http://frightfest.nutickets.com/